DAWN OF THE PLANET OF THE APES takes place 10
years after
RISE OF THE PLANET OF THE APES where humankind has been decimated by the simian
flu. Caesar and his fellow apes have
built a home for themselves and they haven’t seen a human for two years and
they wonder if the humans have killed each other off until they encounter a
group of humans searching for the hydroelectric dam that they want to use to
bring power back to San Francisco. It starts a conflict between humans
and apes
that Caesar and a human called Malcolm (Jason Clarke) want to avoid, but others
like Koba (an ape) want to ignite war.
The leader of the human settlement, Dreyfus (played by Gary Oldman who
hams it up), wants the power to contact other humans and he is willing to
destroy the apes to get the power back on, but he allows a mission into ape territory
to get the power back on. Meanwhile,
Koba (the really goddamn ugly dirty ape) scouts the human settlement and sees
the human stockpile of weapons as a means to an end in his own bid for power
thinking Caesar is too soft for the humans.
DAWN OF THE PLANET OF THE APES is a solid follow
up film as
you see the story from both sides as each side has their reason to hope and to
fear. In history, we have sought out
peace only to have the fear of others tear down that sought after peace. They
want to protect their families while
Koba thinks only for himself based on fear (and later a need for power). You
see an ape culture and ape life seen
through this sequel in addition to wisely holding back the moments when the
apes talk in English where they save a lot of the ape communications for sign
language or by moment and expression. You
have the conflict between Caesar and his son which has a nice arc throughout
the film while you see the human wanting a good future for his son (so he
doesn’t have to see the things that he witnessed during the fall of
civilization due to the simian flu pandemic). Sometimes the movie takes a
backdoor to the humans and really focuses on the apes. Malcolm and his second
wife Elle (Keri
Russell) and Malcolm’s teenage son wander through the movie as they react to
their situation and the apes most of the time because Andy Serkis is the real
star here in his motion capture performance of Caesar. Matt Reeves delivers
another great
directorial job where the apes are better developed than the humans as some of
the humans become pretty much generic stock clichés. However, I do think this
movie deserves a
second viewing to examine the human and ape characters more.
I wonder where they will take the next sequel
(which is tentatively
set for July 29, 2016) and
whether it is going to be titled PLANET OF THE APES or WAR FOR THE PLANET OF
THE APES or CONQUEST OF THE PLANET OF THE APES or even BATTLE FOR BATTLE OF THE
APES. Once war begins, neither side
probably won’t easily forgive and humans are also guided by their fear of apes
due to the simian flu created from the drug testing on apes in the first
film. I also wonder if they will or
when they will tie into the nice nod to the original PLANET OF THE APES in a
moment mentioned in the end credits for RISE OF THE PLANET OF THE APES.
This review is ©7-13-2014
David Blackwell and cannot be reprinted without permission. Send all comments
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