Simon James (Jesse Eisenberg) is a worker that
everyone
walks over and barely notices as he secretly pines for a girl at work called
Hannah (Mia Wasikowska) who also happens to live across the way from him. His
misfortune starts when his work badge
tsops working and when his briefcase gets stuck in the subway doors. In a Kafkaesque
world, his world goes further
down the toilet when his doppelganger James Simon (Jesse Eisenberg) comes to
work at the same company and starts to steal the life that Simon always wanted
for himself. It becomes a struggle for
Simon as he tries to get back his world that his doppelganger is stealing away
in this adaptation of the novella by Fydor Dostoyevsky.
Jesse Eisenberg manages to craft two opposites
of the same
coin while Mia Wasikowska manages to transform herself into another role where
she looks different from the roles she played before. The set design and
environment is so Kafka
and also wants me to rewatch Terry Gilliam’s BRAZIL. Watching THE
DOUBLE looks like the early
1980s as viewed as a homage to BRAZIL
mixed with Ridley Scott’s 1984 commercial for Apple. THE DOUBLE work on
the same ideas as those
two works while drawing apt comparisons to Kafka as this adaptation of
Dostoyevsky is a clear commentary on the loss of the individual self and the
struggle against being lost among the bureaucracy of business.
SPECIAL FEATURES:
CAST AND CHARACTERS- the
actors talk about the characters they play
CREATING THE DOUBLE: THE STORY AND
DESIGN- the director, writer, and Jesse Eisenberg talk about the story while it
all focuses on the production design (the writer wanted the story to originally
take place in glass skyscrapers).
BEHIND THE SCNES COMPARISONS- a behind-the-scenes
look at
the making of the film along with comparisons of how the filmed scenes looks
against the final version.
INTERVIEW WITH DIRECTOR RICHARD AYOADE- a short
interview
with the director
AXS TV: A LOOK AT THE
DOUBLE- a promo featurette on the film
Theatrical trailer
Previews for FILTH, THE PROTECTOR 2, and THE
SACRAMENT
FINAL ANALYSIS:
THE
DOUBLE is a great darkly surreal character movie mixed with humor, a retro 1980s
alternate universe, 1984, and a
Kafkaesque atmosphere.
This review is ©9-2-2014
David Blackwell and cannot be reprinted without permission. Send all comments
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