Rama is back as he agrees to go undercover in
prison to gain
the trust of Uco, who is the son of the leader of a major Jakarta crime
syndicate. Uco wants to ignite war
between his father Bangun and the Japanese crime family headed by Goto. Goto
and Bangun have maintained a truce for
the last 10 years, but a small time thug named Beju has convinced Uco it is
time to take over and cause a war. Rama
is undercover to discover the scope of police corruption, but he may be over
his head as everyone have their own plans.
THE RAID 2 is an intense and bloody action film
with a
bigger scope than THE RAID: REDEMPTION in what results in many great
choreographed action sequences as good as the ones seen in the first film. The
editing is much better and you can easily
follow the action sequences unlike the crappy action sequence editing and
shooting style of CAPTAIN AMERICA: THE WINTER SOLDIER, The first no holds
barred action sequence is
in a muddy prison yard as two rival prison gangs attack each other and even
attack the prison guards who are trying to put a stop to it. Then you have a
silent female assassin with
two claw hammers who is awesome and deadly in her few scenes. The action
sequences are incredible thanks
to the director being hands on with many aspects of the film from editing to
action choreography to writing the script.
THE RAID 2 maintains the strength of the action
so
brilliantly staged in the first film and the bigger budget allows for a few
more action sequences like the ones you would see in other Asian crime films
made in Hong Kong and South Korea, but this Indonesian action film can stand up
against the best crime films from Hong Kong and South Korea. It is a dynamite
film that I think even
Quentin Tarantino would appreciate this one.
I read Gareth Evans wants to do this as a trilogy, but I don’t know how
he could do it given how the film ended and I said the same thing about how he
could do a sequel to THE RAID. So I will
give him the benefit of the doubt and see if he can surprise me again.
This review is ©4-12-2014 David Blackwell and
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