Jesse (Elle Fanning) is a young
aspiring 16 year old model
who just moved to Los Angeles. Her
natural beauty makes people either want
to screw her or kill her. She is quickly
signed to a modeling agency and gets a test shoot with a notable photographer. She
makes friends with Ruby (Jena Malone), a
makeup artist. Dean (the photographer
of her first shoot) dates her while the creepy hotel manager (Keanu Reeves)
dreams of hurting her.
THE NEON
DEMON is a very
visual psychological horror movie with great visuals and a haunting score while
proving commentary on the dark side of the Los Angeles
modeling world and the obsession with beauty.
The movie is visual catnip and it will stick with some long after it is
over. Jesse’s hotel room 212 is her
place of safety where she is in soon in danger whenever she leaves her room. She has
big dreams while wanting to be herself.
Ruby’s other friends Sarah (Abbey Lee) and Gigi (Bella Heathcote) are
jealous of Jesse’s natural beauty and believe Jesse is competition to be
eliminated while their own beauty has a limited shelf life while photographers
and fashion designers look for the next beautiful young fresh face. The makeup
in the movie is spot on while the
imagery provides beauty and horror throughout the movie. The first half
of the movie provides
commentary on the modeling world, but the second half will only be for those
who can stomach gory horror movies (along with necrophilia and eyeball
swallowing). Nicolas Winding Refn is a
unique directorial talent where his visual sense is to be praised for its
visuals and metaphorical allegories. THE
NEON DEMON is like the spiritual love child
of David Lynch and The Valley of The Dolls filtered through high contrast
colors. If you expect traditional storytelling, you may want to stir clear of
THE NEON DEMON.
SPECIAL FEATURES:
Audio commentary with director
Nicolas Winding Refn and
actress Elle Fanning as they talk about the making of the movie. He reveals
a few production secrets and
talks about the various locations used while revealing the second half of the
movie had various subplots that were dropped to focus more on Ruby’s
character. The commentary also reveals
who is the main antagonist of the film and how the ending developed.
BEHIND THE SOUNDTRACK OF THE
NEON DEMON- Nicolas Winding
Refn and composer Cliff Martinez talk about the music score
ABOUT THE NEON DEMON- brief
promotional fluff piece with the
director talking about the movie
FINAL ANALYSIS: THE NEON DEMON
is full of subtext and
themes, but you shouldn’t expect a movie with a straight forward
narrative. It is more along the lines of
a David lynch type of movie in terms of logic and themes. I wish the featurettes
explored the making of
the movie more and the blu-ray lacks a code for a digital HD copy.
This
review is ©10-23-2016
David Blackwell and cannot be reprinted without permission. Send all comments
to feedback@enterline-media.com
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